Bandcheck: Weedd

(By the way, feel free to add the missing infos)

In the northern of the Metro Manila school system, there lies a band. If the Eraserheads was from UP and Parokya ni Edgar was from Ateneo, then Weedd is Claret’s contribution to Pinoy Rock.

They named themselves from the word "weed", which is basically a pet name for marijuana. 

In an effort to own the name and make it look cool, they added another "D" on the word. 

Hmmm... 

When I was a kid, Long Hair was the anthem for every kid whose hair was damaged, dismantled, and disfigured by the school’s guidance counsellor. Back when the world was young in our eyes, having the proper haircut meant discipline and those who are against this rule are enemies of the state (state meaning the school’s principal and his/her wards).

The song had an awesome run and while it didn’t stop the teachers in dismantling the luscious locks of boys (they will exalt revenge on these teachers by growing their hair in college... or jail).

However Weedd disappeared from the scene and was basically dubbed as a one-hit wonder.

Yes, they are indeed a one-hit wonder but there is a reason why. Have you heard their music? I think record producers thought they would try to make their rocking style commercial. That’s absurd. Try hearing their singles for crying out loud and you’ll find that even though they came from Claret, these “innocent” little high schoolers heed and obey death metal noises! These kids lived through Wolfgang, Razorback, Backdraft, and a lot of rock bands playing Club Dredd!

It’s just wrong for them to even consider switching to what was mainstream during those periods without sacrificing their integrity!

Of course, Weedd unable to adapt was reasons enough for them to seize.

Perhaps the death of progressive rock FM station LA 105 also played a major role in the band’s demise.

Up to this day, Long Hair continues to be a familiar tune. If Weedd existed in the late 90’s and the early 2000’s they would have garnered significant success. According to my officemate and Claret alum BJ, Weedd had two albums.

Two albums?

What exactly happened to the other album???

After they released their second album, these high school jammers turned to education as most of them did their time in UST’s Conservatory of Music.

One of the founding members of Lourd de Veyra’s Radioactive Sago Project (possibly Junji Lerma) was once part of the group.

Currently bassist Philippe Arriola is part of Sinosikat and Kapatid.

SYDRIFIED SELECTIONS: WEEDD’S TOP FIVE

DISCLAIMER: I could do a better list if I gain access on both albums.

1 LONG HAIR / What else really? This could have been the first and only song Weedd can stream in the airwaves. Aside from the fact that it was relevant, it also had a good beat. Aside from Tropical Depression, the reggae beat hasn’t really been exploited.

2 BOBO JOE / I was actually shocked to hear this. I remember listening to the sound but I didn’t know Weedd was responsible for this pleasant noise! Actually I didn’t know if I heard this on the radio or in some house party. The song is catchy, upbeat, relatable, and can ignite a superb head-banging spree! Shit, I actually know two Weedd songs! FTW!!!

3 THE SONG / The Song is a somewhat mellow song that kind of resembles those glam rock bands and American folk singers a la Eric Clapton and Bruce Springsteen from the late 70’s and 80’s. I think this way of singing suits Weedd rather than what they did in Aging Hands.

4 AGING HANDS / It seems as if they are channelling Wolfgang, Backdraft, Razorback, Battery, and those other indie rock tunes. While I enjoyed listening to the song, I feel that it would have worked better if their vocalist had a stronger and more growling voice a la Basti Artadi.

5 AURATUS / When they released this single to the airwaves, it simply stated they are no possibilities that Weedd would be the Justin Bieber of their generation. The song has subliminal statements about buying drugs. They were brave and all but they failed to score mainstream audiences. It may be a poor follow-up single to Long Hair, it is still a cool tune to listen.

Songs like Istoryang Walang Ending, Sa Ngabas, Talo-Talo, Di Ako Tanga, and Paglaki Ko could amuse you but just be wary of the repetitive arrangements and the tunog lata drums.

They were a bunch of kids that had influences and it’s just a shame that their claim to fame is a mere song about defying the maestros with scissors.

At least their one hit was very, very popular up to this day.

Yes that sucks... but until they re-form their band...

What can they do?  

Game over.

Bandcheck: Bamboo

After eight years of playing awesome music, Bamboo, one of the best bands of the 2000’s, has disbanded.

After a couple of heartfelt sentences, Bamboo ended their litany to the fans with the epic “This is not the end” line. I believe them. The current Pinoy band circuit is so tight knit that before you know it, you’ll probably spot them doing something. If Bamboo Manalac and Nathan Azarcon can meet up and relive their Rivermaya days with Passage’s Ira Cruz and Vic Mercado (Nathan and Ira were also part of the Karl Roy-led Kapatid band), I’d suppose that we shouldn’t get shocked if we see one or two of them resurfacing in other bands in a span of months.

Surely, Bamboo will be missed. Their music stems from patriotic to romantic. They are recognized as an automatic contender for award-giving bodies. Bamboo Manalac is surely the leader of the band and rightfully so. Even if the band refuses to recognize that they named their band after the singer (according to Ira Cruz, they chose the word bamboo because the plant version of the noun relates to strength and flexibility), without Bamboo, they’ll just be a typical up and coming rock band. He instantly brought credibility to band and the fans finally saw the band as an outlet for their yearnings of the vocalist after he left Rivermaya in 1999. The way he belts out the tunes are mesmerizing and in terms of range, no band vocalist can outdo the awesomeness of his voice. He is also a great person to pair your product with (just ask Nescafe, Smart, Pepsi, Beer na Beer, Colt 45, Head and Shoulders, et. al.).

One of the biggest strengths of the band is that they are not typical rockers. They are smart and they bring in a certain kind of “sauciness” to the band scene. Their sound is rocking but it often breaks off the usual norm. They like to experiment with their instruments and they like to fuse other genres like reggae and jazz in their arrangement. They are also one of the finer bands to use the other facets of recording, as heard in their live and unplugged albums as well as their singles where they revive songs using their style. Their debut album, As the Music Plays, was double platinum-worthy while Light Peace Love, We Stand Alone Together, and Tomorrow Becomes Yesterday were also received well by the public.

I know you didn’t ask for this but here are my Top Ten Bamboo songs.

1 NOYPI / The song is an anthem for every Pacquiao win, every Azkals win, any Charice Glee appearance, and hell... every Noynoy speech! Instantly, they gave out a “supergroup” aura when they rock out the tune. I also think this is the best debut single any band as made since Parokya Ni Edgar started their career with Buloy.

2 HALLELUJAH / Like Noypi, this song dished out rocking awesomeness unlike any other band still existing in their generation. It also got mainstream attention when Eat Bulaga’s Jose Manalo and Wally Bayola started imitating Bamboo. Bamboo was happy with them spoofing them that it led to numerous gigs in Klownz and Zirkoh.

3 WAITING IN VAIN / The song is a famed work by legendary rocker Bob Marley and I believe Bamboo did justice to his song. He quickened the song without making it laughable and his awesome voice made sound-tripping to this extremely enjoyable.

4 SO FAR AWAY / Again, they revive a truly legendary track from Karen Carpenter’s collection of hits and did justice to it. He stayed true to the “heartfelt-ness” of the song and for a brief moment, it made a lot of old people sing along with him. Talk about connecting generations!

5 MR. CLAY / While the tune didn’t became a mainstream hit, it was still great nonetheless. I like it when Bamboo was pronouncing verses on an intense pace! He also cursed. It’s great when OPM bands curse! Anyway, whenever I want to headbang in solitude, I rock out with this song.

6 MASAYA / The song reminded me for some insane reason of Rivermaya’s Panahon na Naman. Sure, Rico Blanco sang the tune but there is some cool and yet reminiscing about the tune. It is also a heartfelt tune and mixing it with a wonderful lyric screams awesomeness.

7 THESE DAYS / This song is jumpy. It also has that feel-good edge and again it has that supergroup aura. Sure, the tune is a hairline away from bordering to “showband-land” but we need to forgive them because of the superb tune. I also like the rap in the end.

8 PROBINSYANA / At the start I thought it was a basic rock tune with a sort of crappy lyric... but then I heard it’s big band version where the trumpets and the other instruments were blaring awesomeness. All of a sudden it made sense that it was a good tune.

9 TATSULOK / I admit that while I liked the way they delivered the song, I think I liked the original more. The folk-ness of the song was taken out and while Bamboo needs to do their own take of the song, there were elements of the song that needs that certain kind of ethnicity. Nonetheless they still did a fine job with the song.

10 MUCH HAS BEEN SAID / Again, a heartfelt tune from Bamboo. With the way they handled Waiting in Vain and So Far Away, doing well with this material is a no-brainer. I think these songs appeal them to the women listeners.

I remember when a buddy told me he witnessed Bamboo and Nathan jam with Rico Blanco and Mark Escueta. Bamboo and Nathan were already in Bamboo then while Rico was still with Mark in Rivermaya (Rico turned solo eventually after having a dispute with the band’s manager). They ended up playing a couple of the band’s greatest hits and he bragged that it was awesome.

See, somewhere along the line, former group members meet and do the songs awesomely as if they never broken up!

Perhaps the same case with the Bamboo band?

We are praying and hoping.

Game over.

Band Preview: The Eraserheads

I believe that The Eraserheads is the greatest band in Original Pilipino Music history. The popularity of their music is endless and there songs can be sung by all walks of life. The quartet of Ely Buendia, Raimund Marasigan, Buddy Zabala, and Markus Adoro improved from mediocre gig pay to an epic array of moolah because of their music.

Who knew that a mere browse from a magazine could give them the name that people adore? Who knew that they can manage to make a simple jingle a massive hit? Who knew that their breakup would haunt their followers... as their reunion eventually rocked the nation?

There are a bunch of songs I love from the Pinoy Fab Four. Some of them were born from the gigs they had in UP. Some of their songs sound as if The Beatles sung it but they managed to reinvent their tunes as they mature. Ultraelectromagneticpop, Circus, and Cutterpillow albums are considered as the Heads’ Holy Trinity. Joey de Leon, Apo Hiking Society, Francis Magalona, and Ryan Cayabyab at some point used the Heads' popularity to give them a further hook with the younger audience. Aloha Milkyway, an album they made later in their career, was their first and only international album. Aloha was launched after the Eraserheads won an MTV award where they took centerstage in New York and Ely shouted his unforgettable “Mabuhay ang Noypi” line.  From the Eraserheads spawned a lot of bands where one of them either played or produced. The ascension of Sandwich, a band Raimund and Buddy as well as Marc Abaya starred, alongside other side projects from all four members, was partly responsible for the band’s demise.

The biggest reason? It seems as if they have outgrown each other. The principal players were Ely, Raimund, and Diane Ventura. Sure, you can say that the John-Paul-Yoko/Ely-Lemon-Diane shtick could be a factor, but I’d probably say that after years of being with and needing each other, they got fed up with one another.

But even apart, you know the Heads are tight-knit. After years of being away from each other, the Heads reformed twice for their “farewell” concert. Before that, Ely, Raimund, Buddy, and Markus collaborated with one another at some point. When the concert happened, they wanted to work with each other. Sure, they were also offered a ton of money but they really want to jam with each other. Fans of their generation and the current generation felt the chemistry which is why they rallied and pack the place as they sang along with their hits.

I listed 50 of my favourite Eraserheads hits.

1. ANG HULING EL BIMBO / CUTTERPILLOW
2. ALAPAAP / CIRCUS
3. MAGASIN / CIRCUS
4. PARE KO / ULTRAELECTROMAGNETICPOP
5. TUWING UMUULAN AT KAPILING KA / RYAN CAYABYAB’S THE SILVER ALBUM
6. SEMBREAK / CIRCUS
7. SHIRLEY / ULTRAELECTROMAGNETICPOP
8. TIKMAN / BANANATYPE (THE BURGER MACHINE JINGLE)
9. LIGAYA / ULTRAELECTROMAGNETICPOP
10. WITH A SMILE / CIRCUS
11. SPOLIARIUM / STICKER HAPPY
12. SCORPIO RISING / ALOHA MILKYWAY
13. RUN BARBI RUN / BANANATYPE (OST OF THE SECOND BARBI MOVIE)
14. HARD TO BELIEVE / STICKER HAPPY
15. OVERDRIVE / CUTTERPILLOW
16. BACK2ME / CUTTERPILLOW
17. KALIWETE / STICKER HAPPY
18. FRUITCAKE / FRUITCAKE
19. SINO SA ATIN / NATIN99
20. TORPEDO / CUTTERPILLOW
21. HARANA / BANANATYPE
22. TRIP TO JERUSALEM / FRUITCAKE
23. SHAKE YOUR HEAD / ULTRAELECTROMAGNETICPOP
24. HUWAG MO NANG ITANONG / CUTTERPILLOW
25. UNSTRUNG HEROES / FRANCIS MAGALONA’S HAPPY BATTLE ALBUM
26. SUPERPROXY / CUTTERPILLOW
27. POORMAN’S GRAVE / CUTTERPILLOW
28. PLAYGROUND / CARBON STEREOXIDE
29. PARU-PARONG NINGNING / CUTTERPILLOW
30. TOYANG / ULTRAELECTROMAGNETICPOP
31. MINSAN / CIRCUS
32. MALING AKALA / ULTRAELECTROMAGNETICPOP
33. KAILAN / CIRCUS
34. HEY JAY / CIRCUS
35. HUWAG KANG MATAKOT / NATIN99
36. ALKOHOL / CIRCUS
37. TINDAHAN NI ALING NENA / ULTRAELECTROMAGNETICPOP
38. KAMASUPRA / CUTTERPILLOW
39. BUTTERSCOTCH / CIRCUS
40. MANILA / BANDANG PINOY LASANG HOTDOG
41. WALANG NAGBAGO / CUTTERPILLOW
42. PUMAPATAK NA NAMAN ANG ULAN / NESCAFE OPEN UP PARTY LIVE
43. JULIE TEARJERKY / ALOHA MILKYWAY
44. EASY KA LANG / ULTRAELECTROMAGNETICPOP
45. POP MACHINE / NATIN99
46. BLUE JEANS / NESCAFE OPEN UP PARTY LIVE
47. SATURN RETURN / ALOHA MILKYWAY
48. WAITING FOR THE BUS / CUTTERPILLOW
49. WISHING WELLS / CIRCUS
50. MASELANG BAHAGHARI / NATIN99

While I think a lot would disagree with my picks, I believe my picks are solid.

I’ll probably agree with most suggestions... except for Para sa Masa.

I like almost all of the Heads’ works except for this song.

The Heads’ can do without Para sa Masa.

Anyway, I’m going to single out a couple of my favourites in separate articles.

Game over.